Μετάφραση και ανάλυση λέξεων από την τεχνητή νοημοσύνη ChatGPT
Σε αυτήν τη σελίδα μπορείτε να λάβετε μια λεπτομερή ανάλυση μιας λέξης ή μιας φράσης, η οποία δημιουργήθηκε χρησιμοποιώντας το ChatGPT, την καλύτερη τεχνολογία τεχνητής νοημοσύνης μέχρι σήμερα:
- πώς χρησιμοποιείται η λέξη
- συχνότητα χρήσης
- χρησιμοποιείται πιο συχνά στον προφορικό ή γραπτό λόγο
- επιλογές μετάφρασης λέξεων
- παραδείγματα χρήσης (πολλές φράσεις με μετάφραση)
- ετυμολογία
Τι (ποιος) είναι walkie talkie - ορισμός
![the Monument]]](https://commons.wikimedia.org/wiki/Special:FilePath/20 Fenchurch Street retouched.jpg?width=200 "the Monument]]")
 - panoramio.jpg?width=200 "20 Fenchurch Street site, January 2013")
![Scene of the [[Hatton Garden safe deposit burglary]] in 2015](https://commons.wikimedia.org/wiki/Special:FilePath/88-90 Hatton Garden, front door TQ3181 U23.jpg?width=200 "Scene of the [[Hatton Garden safe deposit burglary]] in 2015")
![[[Lloyds Bank]], 187 [[Baker Street]]](https://commons.wikimedia.org/wiki/Special:FilePath/Juan Pablo Viscardo Y Guzman (5026566440).jpg?width=200 "[[Lloyds Bank]], 187 [[Baker Street]]")
![10px]] – Approximate location of Robert Rowlands's flat in [[Wimpole Street]]](https://commons.wikimedia.org/wiki/Special:FilePath/Location of the Baker Street bank burglary.jpg?width=200 "10px]] – Approximate location of Robert Rowlands's flat in [[Wimpole Street]]")
![Iberian language]].](https://commons.wikimedia.org/wiki/Special:FilePath/AcabaramSeOsOtariosAd1.jpg?width=200 "Iberian language]].")
![''[[Alam Ara]]'' premiered March 14, 1931, in Bombay. The first Indian talkie was so popular that "police aid had to be summoned to control the crowds."<ref>Quoted in Chatterji (1999), "The History of Sound."</ref> It was shot with the Tanar single-system camera, which recorded sound directly onto the film.](https://commons.wikimedia.org/wiki/Special:FilePath/AlamAra.jpg?width=200 "''[[Alam Ara]]'' premiered March 14, 1931, in Bombay. The first Indian talkie was so popular that \"police aid had to be summoned to control the crowds.\"<ref>Quoted in Chatterji (1999), \"The History of Sound.\"</ref> It was shot with the Tanar single-system camera, which recorded sound directly onto the film.")
![First National]]'s inaugural talkie. The film was released in December 1928, two months after Warner Bros. acquired a controlling interest in the studio.](https://commons.wikimedia.org/wiki/Special:FilePath/BarkerMackaillSills.jpg?width=200 "First National]]'s inaugural talkie. The film was released in December 1928, two months after Warner Bros. acquired a controlling interest in the studio.")
![dubbing]] capacity, her dialogue was simultaneously recorded offscreen by actress Joan Barry. Ondra's British film career was over.<ref>Spoto (1984), pp. 131–32, 136.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/BlackmailUSWindowCardOndra.jpg?width=200 "dubbing]] capacity, her dialogue was simultaneously recorded offscreen by actress Joan Barry. Ondra's British film career was over.<ref>Spoto (1984), pp. 131–32, 136.</ref>")
![Premiering February 1, 1929, [[MGM]]'s ''[[The Broadway Melody]]'' was the first smash-hit talkie from a studio other than Warner Bros. and the first sound film to win the [[Academy Award for Best Picture]].](https://commons.wikimedia.org/wiki/Special:FilePath/BroadwayMelodyPoster1.jpg?width=200 "Premiering February 1, 1929, [[MGM]]'s ''[[The Broadway Melody]]'' was the first smash-hit talkie from a studio other than Warner Bros. and the first sound film to win the [[Academy Award for Best Picture]].")
![Kinetophone]], combining the [[Kinetoscope]] and [[phonograph]].](https://commons.wikimedia.org/wiki/Special:FilePath/Dickson Film Still 2.jpg?width=200 "Kinetophone]], combining the [[Kinetoscope]] and [[phonograph]].")
![Woodstock]]'', 44 years later.](https://commons.wikimedia.org/wiki/Special:FilePath/DonJuanPoster2.jpg?width=200 "Woodstock]]'', 44 years later.")
![[[Eric M. C. Tigerstedt]] (1887–1925) was one of pioneers of sound-on-film technology. Tigerstedt in 1915.](https://commons.wikimedia.org/wiki/Special:FilePath/Eric Magnus Tigerstedt.jpg?width=200 "[[Eric M. C. Tigerstedt]] (1887–1925) was one of pioneers of sound-on-film technology. Tigerstedt in 1915.")
![1900 Paris Exposition]] using the Gratioulet-Lioret system.](https://commons.wikimedia.org/wiki/Special:FilePath/Expo1900SoundFilm.jpg?width=200 "1900 Paris Exposition]] using the Gratioulet-Lioret system.")
![Movietone]], together on the same bill.](https://commons.wikimedia.org/wiki/Special:FilePath/JazzSingerAndFox.jpg?width=200 "Movietone]], together on the same bill.")
![Image of sumo wrestlers from ''Melodie der Welt'' (1929), "one of the initial successes of a new art form", in [[André Bazin]]'s description. "It flung the whole earth onto the screen in a jigsaw of visual images and sounds."<ref>Bazin (1967), p. 155.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/MDWimage.jpg?width=200 "Image of sumo wrestlers from ''Melodie der Welt'' (1929), \"one of the initial successes of a new art form\", in [[André Bazin]]'s description. \"It flung the whole earth onto the screen in a jigsaw of visual images and sounds.\"<ref>Bazin (1967), p. 155.</ref>")
![Director [[Heinosuke Gosho]]'s ''Madamu to nyobo'' (''[[The Neighbor's Wife and Mine]]''; 1931), a production of the [[Shochiku]] studio, was the first major commercial and critical success of Japanese sound cinema.<ref>Nolletti (2005), p. 18; Richie (2005), pp. 48–49.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/MadamuTonyobo.jpg?width=200 "Director [[Heinosuke Gosho]]'s ''Madamu to nyobo'' (''[[The Neighbor's Wife and Mine]]''; 1931), a production of the [[Shochiku]] studio, was the first major commercial and critical success of Japanese sound cinema.<ref>Nolletti (2005), p. 18; Richie (2005), pp. 48–49.</ref>")
![David Thomson]] puts it, "sound proved the incongruity of [her] salon prettiness and tenement voice."<ref>Thomson (1998), p. 732.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/PhotoplayDec.jpg?width=200 "David Thomson]] puts it, \"sound proved the incongruity of [her] salon prettiness and tenement voice.\"<ref>Thomson (1998), p. 732.</ref>")
![The first Soviet talkie, ''Putevka v zhizn'' (''The Road to Life''; 1931), concerns the issue of homeless youth. As [[Marcel Carné]] put it, "in the unforgettable images of this spare and pure story we can discern the effort of an entire nation."<ref>Carné (1932), p. 105.</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/Putevka v zhisn poster.jpg?width=200 "The first Soviet talkie, ''Putevka v zhizn'' (''The Road to Life''; 1931), concerns the issue of homeless youth. As [[Marcel Carné]] put it, \"in the unforgettable images of this spare and pure story we can discern the effort of an entire nation.\"<ref>Carné (1932), p. 105.</ref>")
![''[[Show Girl in Hollywood]]'' (1930), one of the first sound films about sound filmmaking, depicts microphones dangling from the rafters and multiple cameras shooting simultaneously from soundproofed booths. The poster shows a camera unboothed and unblimped, as it might be when shooting a musical number with a prerecorded soundtrack.](https://commons.wikimedia.org/wiki/Special:FilePath/ShowgirlHollywood.jpg?width=200 "''[[Show Girl in Hollywood]]'' (1930), one of the first sound films about sound filmmaking, depicts microphones dangling from the rafters and multiple cameras shooting simultaneously from soundproofed booths. The poster shows a camera unboothed and unblimped, as it might be when shooting a musical number with a prerecorded soundtrack.")
![amplitude]] of the audio signal at each instant.](https://commons.wikimedia.org/wiki/Special:FilePath/USN16mmSoundtrack.jpg?width=200 "amplitude]] of the audio signal at each instant.")
![''[[Westfront 1918]]'' (1930) was celebrated for its expressive re-creation of battlefield sounds, like the doomful whine of an unseen grenade in flight.<ref name=Kaes />](https://commons.wikimedia.org/wiki/Special:FilePath/Westfront 1918 Weber poster.jpg?width=200 "''[[Westfront 1918]]'' (1930) was celebrated for its expressive re-creation of battlefield sounds, like the doomful whine of an unseen grenade in flight.<ref name=Kaes />")
Βικιπαίδεια
20 Fenchurch Street is a commercial skyscraper in London that takes its name from its address on Fenchurch Street, in the historic City of London financial district. It has been nicknamed "The Walkie-Talkie" because of its distinctive shape, said to resemble a two-way radio handset. Construction was completed in spring 2014, and the three-floor "sky garden" was opened in January 2015. The 38-storey building is 160 m (525 ft) tall. Since July 2017, the building has been owned by Lee Kum Kee Groups.
Designed by architect Rafael Viñoly and costing over £200 million, 20 Fenchurch Street features a highly distinctive top-heavy form which appears to burst upward and outward. The entrance floor and 34 floors of office space are topped by a large viewing deck. A bar and restaurants are included on the 35th, 36th and 37th floors; these are, with restrictions, open to the public.
The tower was originally proposed at nearly 200 m (656 ft) tall but its design was scaled down after concerns about its visual impact on the nearby St Paul's Cathedral and Tower of London. It was subsequently approved in 2006 with the revised height. Even after the height reduction there were continued concerns from heritage groups about its impact on the surrounding area. The Secretary of State for Communities and Local Government, Ruth Kelly, called in the project for another public inquiry. The project was consequently the subject of a public inquiry; in 2007 this ruled in the developers' favour and the building was granted full planning permission. In 2015 it was awarded the Carbuncle Cup for the worst new building in the UK in the previous 12 months.
In 2013 Paul Finch of the Design Council CABE said he regretted supporting the project during the public inquiry, saying that the developers "made a mess of it" and were architects of their own misfortune.
